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John Keats (1795-1821), renowned poet of the English Romantic Movement, wrote some of the greatest English language poems including "La Belle Dame Sans Merci", "Ode To A Nightingale", and "Ode On a Grecian Urn";
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou sayst,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
John Keats was born on 31 October 1795 in Moorgate, London, England, the first child born to Frances Jennings (b.1775-d.1810) and Thomas Keats (d.1804), an employee of a livery stable. He had three siblings: George (1797-1841), Thomas (1799-1818), and Frances Mary "Fanny" (1803-1889). After leaving school in Enfield, Keats went on to apprentice with Dr. Hammond, a surgeon in Edmonton. After his father died in a riding accident, and his mother died of tuberculosis, John and his brothers moved to Hampstead. It was here that Keats met Charles Armitage Brown (1787-1842) who would become a great friend. Remembering his first meeting with him, Brown writes "His full fine eyes were lustrously intellectual, and beaming (at that time!)". Much grieved by his death, Brown worked for many years on his memoir and biography, Life of John Keats (1841). In it Brown claims that it was not until Keats read Edmund Spencer's Faery Queen that he realised his own gift for the poetic. Keats was an avid student in the fields of medicine and natural history, but he then turned his attentions to the literary works of such authors as William Shakespeare and Geoffrey Chaucer.
Keats had his poems published in the magazines of the day at the encouragement of many including James Henry Leigh Hunt Esq. (1784-1859), editor of the Examiner and to whom Keats dedicated his first collection Poems (1817). It includes "To My Brother George", "O Solitude! If I Must With Thee Dwell", and "Happy is England! I Could Be Content". Upon its appearance a series of personal attacks directed at Keats ensued in the pages of Blackwood's Magazine. Despite the controversy surrounding his life, Keats's literary merit prevailed. That same year Keats met Percy Bysshe Shelley who would also become a great friend. When Shelley invited the ailing Keats to stay with him and his family in Italy, he declined. When Shelley's body was washed ashore after drowning, a volume of Keats's poetry was found in his pocket.
Having worked on it for many months, Keats finished his epic poem comprising four books, Endymion: A Poetic Romance--"A thing of beauty is a joy for ever"--in 1818. That summer he travelled to the Lake District of England and on to Ireland and Scotland on a walking tour with Brown. They visited the grave of Robert Burns and reminisced upon John Milton's poetry. While he was not aware of the seriousness of it, Keats was suffering from the initial stages of the deadly infectious disease tuberculosis. He cut his trip short and upon return to Hampstead immediately tended to his brother Tom who was then in the last stages of the disease. After Tom's death in December of 1818, Keats lived with Brown.
Early one morning I was awakened in my bed by a pressure on my hand. It was Keats, who came to tell me his brother was no more. I said nothing, and we both remained silent for awhile, my hand fast locked in his. At length, my thoughts returning from the dead to the living, I said--'Have 'nothing more to do with those lodgings,--and 'alone too. Had you not better live with me?' He paused, pressed my hand warmly, and replied,-'I think it would be better.' From that moment he was my inmate.--Life of John Keats.
Around this time Keats met, fell in love with, and became engaged to eighteen year old Frances "Fanny" Brawne (1800-1865). He wrote one of his more famous sonnets to her titled "Bright Star, would I were steadfast as thou art". While their relationship inspired much spiritual development for Keats, it also proved to be tempestuous, filled with the highs and lows from jealousy and infatuation of first love. Brown was not impressed and tried to provide some emotional stability to Keats. Many for a time were convinced that Fanny was the cause of his illness, or, used that as an excuse to try to keep her away from him. For a while even Keats entertained the possibility that he was merely suffering physical manifestations of emotional anxieties--but after suffering a hemorrhage he gave Fanny permission to break their engagement. She would hear nothing of it and by her word provided much comfort to Keats in his last days that she was ultimately loyal to him.
Although 1819 proved to be his most prolific year of writing, Keats was also in dire financial straits. His brother George had borrowed money he could ill-afford to part with. His earning Fanny's mother's approval to marry depended on his earning as a writer and he started plans with his publisher John Taylor (1781-1864) for his next volume of poems. At the beginning of 1820 Keats started to show more pronounced signs of the deadly tuberculosis that had killed his mother and brother. After a lung hemorrhage, Keats calmly accepted his fate, and he enjoyed several weeks of respite under Brown's watchful eye. As was common belief at the time that bleeding a patient was beneficial to healing, Keats was bled and given opium to relieve his anxiety and pain. He was at times put on a starvation diet, then at other times prescribed to eat meat and drink red wine to gain strength. Despite these ill-advised good-intentions, and suffering increasing weakness and fever, Keats was able to emerge from his fugue and organise the publication of his next volume of poetry.
Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) includes some of his best-known and oft-quoted works: "Hyperion", "To Autumn", and "Ode To A Nightingale". "Nightingale" evokes all the pain and suffering that Keats experienced during his short life-time: the death of his mother; the physical anguish he saw as a young apprentice tending to the sick and dying at St. Guy's Hospital; the death of his brother; and ultimately his own physical and spiritual suffering in love and illness. Keats lived to see positive reviews of Lamia, even in Blackwood's magazine. But the positivity was not to last long; Brown left for Scotland and the ailing Keats lived with Hunt for a time. But it was unbearable to him and only exacerbated his condition--he was unable to see Fanny, so, when he showed up at the Brawne's residence in much emotional agitation, sick, and feverish, they could not refuse him. He enjoyed a month with them, blissfully under the constant care of his beloved Fanny. Possibly bolstered by his finally having unrestricted time with her, and able to imagine a happy future with her, Keats considered his last hope of recovery of a rest cure in the warm climes of Italy. As a parting gift Fanny gave him a piece of marble which she had often clasped to cool her hand. In September of 1820 Keats sailed to Rome with friend and painter Joseph Severn (1793-1879, who was unaware of his circumstances with Fanny and the gravity of his health.
Keats put on a bold front but it soon became apparent to Severn that he was terminally ill. They stayed in rooms on the Piazza Navona near the Spanish Steps, and enjoyed the lively sights and sounds of the people and culture, but Keats soon fell into a deep depression. When his attending doctor James Clark (1788-1870) finally voiced aloud the grim prognosis, Keats's medical background came to the fore and he longed to end his life and avoid the humiliating physical and mental torments of tuberculosis. By early 1821 he was confined to bed, Severn a devoted nurse. Keats had resolved not to write to Fanny and would not read a letter from her for fear of the pain it would cause him, although he constantly clasped her marble. During bouts of coughing, fever, nightmares, Keats also tried to cheer his friend, who held him till the end.
John Keats died on 23 February 1821 in Rome, Italy, and now rests in the Protestant Cemetery in Rome, by the pyramid of Caius Cestius, near his friend Shelley. His epitaph reads "Here lies one whose name was writ in water", inspired by the line "all your better deeds, Shall be in water writ" from Francis Beaumont (1584-1616) and John Fletcher's (1579-1625) five act play Philaster or: Love Lies A-bleeding. Just a year later, Shelley was buried in the same cemetery, not long after he had written "Adonais" (1821) in tribute to his friend;
I weep for Adonais--he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"
Fanny Brawne married in 1833 and died at the age of sixty-five. English poet and friend of Brown's, Richard Monckton Milnes (1809-1885) wrote Life, Letters, and Literary Remains of John Keats (1848). During his lifetime and since, John Keats inspired numerous other authors, poets, and artists, and remains one of the most widely read and studied 19th century poets.
Biography written by C. D. Merriman for Jalic Inc. Copyright Jalic Inc. 2007. All Rights Reserved.
The above biography is copyrighted. Do not republish it without permission.
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Keats' theme
Hi there, I am currently doing a literature course at school, and we were recently given an assignment on John Keats. It asks me to write an essay on the following: "While many of Keats' poems, not surprisingly, deal with themes of death and dying, his poetry can be read as an affirmation of life rather than a morbid reflection on mortality. Discuss with reference to Keats' poetry." Any ideas? Preferably, I would like to see references to "To Autumn", "Ode on a Grecian Urn", "Ode on Melancholy" and "La Belle Dame Sans Merci". Thanks in advance :)
Posted By lightzing at Tue 7 Oct 2008, 9:41 PM in Keats, John || 0 Replies
There is a charm in footing slow
I know that this was written in 1818 while on a walking holiday. Despite loads of searches i can not find the complete poem. All I know/remember is "There is a charm in footing slow across an ancient plain, where patriot battle has been fought and glory been the gain" It has been 19 years and a couple of moves so no idea where the book I got it from now lies. I just can't understand why only the first half of the line comes up in searches as a reference to it being written but no reference to what the poem was called.
Posted By Sos at Mon 14 Jul 2008, 11:32 AM in Keats, John || 1 Reply
Keats sensuousness in poetry
Please refer to 'on first looking into chapman's homer', 'to autumn', 'ode to a nightingale', 'ode on a grecian urn to sleep', 'ode on melancholy', and 'la belle dame sans merci', when explaining Keat's sensuousness in his poetry. Thanks p.s. why is 'Ode to Autumn' the maturest expression of keats' sensuous art?
Posted By belatrixx at Sun 29 Jun 2008, 4:42 AM in Keats, John || 0 Replies
ode on a grecian urn
hey guys :) does anyone know how the poem "ode on a grecian urn" was significant to its writer: keats? why did he write it? how does it affirm keats views on god/religion, society and major life events (ie. death/birth)......what are keats views on those issues??? LOL struggling :( thnx =]
Posted By caitlin123 at Tue 20 May 2008, 3:44 AM in Keats, John || 2 Replies
Relations to John Keats
Is anyone else related to John Keats? I'm trying to finish my family tree and hoping this website might be able to help.
Posted By JKeates22 at Thu 8 May 2008, 10:38 PM in Keats, John || 0 Replies
Keatsian neologisms
http://www.bartleby.com/126/39.html link to the poem
Posted By MiDdleguy at Wed 5 Mar 2008, 2:54 PM in Keats, John || 0 Replies
What is the Grecian Urn?
I like to envision it as a spaceship careering through the galaxy. Or, perhaps as an oracle that spins tales before gaping witnesses. In what dimension does it reside? Is it a spacecraft of some sort? Is it a cosmic technology with advanced properties that allow it to unfold and 'play' the tales for viewers, or, in this poem, is the speaker looking at powerful but eternally still images and drifting off in silent reverie? Here is a sequel to the urn, with the urn envisioned as a space craft locked in combat with Emperor Palpatine from Star Wars, with the gist being that the rich complexity of Keat's poetry is a far more advanced technology than the cosmology of Star Wars: http://approaching40.typepad.com/antiaging4geeks/2008/02/the-grecian-u-1.html To restate: What is the urn? Any impressions or interpretations? :) Paul antiaging4geeks.com
Posted By Paul Roe at Tue 4 Mar 2008, 1:17 AM in Keats, John || 1 Reply
Keats and The Human Predicament
How is Keats related with Human Predicament? How Keats uses Paradox in His poetry?
Posted By swapan2008 at Mon 31 Dec 2007, 1:08 AM in Keats, John || 0 Replies
dreams of passion!
hi,to all the existing literature network members - i am JVN from india, have come up here with a passion to share my existence in this world with one sun and sky for us all and thats where we are made equal. one deep dive will not satisfy the need to speak on the subject of literature, we have to and cherish the swim in that ocean. take in the advantage of not finding any boundaries under this ocean also, we can learn on one and speak a thousand about it. would like to start with keats, much has been discussed on what has been written about him why don't we explore the facts and creation of him with the sketch of our individual mind? do post me and lets know much more about the personality in a new angle! regards JVN.
Posted By JVN at Wed 20 Jun 2007, 4:10 AM in Keats, John || 0 Replies
''To Autumn''
I'm having a hard time having one set interpretation of this poem! Every time I read it, I find some new, deeper meaning into the poem and it just confuses my thoughts. So I was wondering what everyone else viewed this poem as.
Posted By Miss Madison at Thu 17 May 2007, 4:40 AM in Keats, John || 7 Replies